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Its been happening so frequently that these headlines are almost starting to become old news. Still, it does make you want to go poking around in your grandmothers attic…
Apparently the 18th-century Qianlong-era porcelain vase was discovered while cleaning out a modest London suburb home. Other then knowing it was acquired in the 193o’s, the anonymous family who owned it knows little else as to its origins. According to the auctioneer Bainbridges, the vase itself dates from the Qianlong period (1740′s) and would have most definitely been fired in the imperial kilns before finally residing in the Chinese Royal Palace. According to the Antiques Trade Gazette, Bainbridges is a small suburban auction house which normally deals with cheaper antiques, equipment and lawnmowers. Not bad, considering they stand to reap a 13.8 million dollar buyers premium from the sale. Purchased by a Chinese bidder on behalf of an undisclosed buyer, the sale price was not only more than 40 times the pre-sale estimate, but it set a new record for a Chinese work of art. But wait – it gets better. “About 30 years ago it was shown on a television show called Going For A Song where an expert appraised it at $1300 as a “very good copy.” Poor guy – I definitely would not want to be him right about now.
Regardless of whatever price was paid, the real or fake, the vase really is absolutely stunning. Beautiful!
The downside? A tax bill totalling a few million.
Chat with any “old school buyer” of Chinese antiques about the late eighties/early nineties and stories of 200 RMB rosewood tables and Ming dynasty porcelain for a few hundred RMB will bubble quickly to the surface. In recent times, this period might be considered the modern birth of the industry, with western buyers in Hong Kong at the forefront. Ten years later, Chinese mainland buyers have become the dominant force with Hong Kong playing backseat to Beijing, Ningbo and Zhongshan – all playing equally major roles in the industry. How times have since changed! The last three years however, have seen lighting fast changes within many of China’s industries. And the antiques/reproductions segment has in no means, escaped this. So what can we expect in the future?
| Producers | Buyers |
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Labor Shortages:There has been much coverage in the media attesting to fact that, despite its 1.3 billion strong population, China is experiencing labor shortages in many industries/areas (particularly in the pearl river delta). In the furniture industry, the effect is evident in the average age of a carpenter with a glance inside any workshop revealing most are well into their 40ies. As many young people today have no desire to pursue a career perceived as dirty, backwards, low paid and labor intensive, expect this imbalance to continue. Its no secret within these circles that each year it becomes increasingly difficult to find/employ skilled Chinese carpenters and within five to ten years this will become a major problem for the industry.
Higher labor costs: In 2007, the starting salary of a college graduate ( w/computer and language skills) working in a foreign company was equal to or exceeded that of a Chinese carpenter. Its important to realize that office staff are generally individuals who live/work in the city, have college degrees, computer skills and likely foreign language skills as well. Yet by 2010, the monthly salary of carpenter from the countryside, with a middle school or high school education living and working in the factory will exceed (in many cases be double or more) that of entry level office worker. Therefore its no surprise the average monthly salary of a carpenter is a hot topic among workshops this year. Once treated as unskilled labor, carpenters and antique restorers are now essentially taking their rightful place as skilled craftsmen with compensation to match.
Diminished bargaining power: Chinese treat business as war and negotiating for a raise is no exception. Stories of the Nouveau riche coal miners snapping up high priced antiques, car buyers paying for their buicks with cash, the international spectacles of the Beijing Olympics, twenty years of strong growth and even the local media’s heavy propaganda coverage of the “communist economic miracle” have given rise to a “sky’s the limit” mentality. This combined with massive social pressure to get rich have turned many workers into mercenaries. Despite the global economic crisis and subsequent slow recovery, workers continue to demand increases and stories of workers defecting to the factory down the road for a mere extra 50 RMB are very common. In China loyalty in not earned but rather purchased.
Improve/Innovate or go under : In other words, all the things which should occur in a maturing market. Of course, this will also present both opportunities and challenges. Some general trends:
Don’t ignore the domestic market:
Without saying if I agree or disagree, here are two interesting articles which I picked up off the Museum Security Network website (though one was originally from Bloomberg) regarding last years controversial auction of a bronze heads of a rat and a rabbit looted from Beijing’s Summer Palace in 1860 . Interesting perspectives – one must wonder if Cai Ming Chao simply “got caught up in it all?”
March 10 (Bloomberg) — Cai Mingchao (蔡铭超) the Chinese art dealer who is refusing to pay for the $40 million Qing bronzes he successfully bid for in the Yves Saint Laurent auction, wept when he realized that his credibility was shot and he may now have to close his business.
Cai, 44, spoke in an interview after turning away hundreds of calls from reporters about the Feb. 25 sale. He was praised in China for walking away from the bronzes, which were plundered by foreign troops, and has been condemned by other dealers. In the world of high-end art sales, where millions of dollars worth of items may sell on the basis of a phone call or handshake, defaulting is seen as unprofessional.
“This has damaged me: I have lost the business I love,” said Cai, in his office in the southeastern city of Xiamen. Cai said he had bid with the intention of paying, then had second thoughts and decided it’s wrong to do so. He again denied acting in concert with China’s government.
No wonder customs is so difficult when it comes to exporting antique stone these days…..
The 27-ton stone coffin of Tang empress Wu Huifei (AD 699-737) arrived at the Shaanxi History Museum on Thursday, four years after it was smuggled out of the country.
The sarcophagus is 4 meters long, 2 meters wide and 2 meters high. It features flowers and maiden figures in relief. Robbers stole it from Wu’s tomb in the southern suburbs of Xi’an, capital of Shaanxi province, in 2006.
“It is a rare cultural relic with high scientific, historical and artistic value,” said Liu Daiyun, director of the research department of the Shaanxi provincial archaeological research institute.
Xi’an police found out about the sarcophagus in February 2006 during an investigation over a tomb robbery. They seized a computer containing a number of its pictures in a suspect’s house and local archaeologists soon identified the relic’s origin.
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| Showdates: | May 15-18,2009 | |||
| Venue: | Shanghai Exhibition Center (No.1000 Yan`an Road (Middle)Shanghai P.R.China | |||
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| Organizer: | Shanghai Antique Dealers Association Shanghai Real Exhibition Service Co., Ltd. |
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| Sponsors: | Shanghai Collection Association Zhejiang Collection Association Shanghai Zhongfu Curio Center Shanghai Yunzhou Curio Center Shanghai Friendship Department Store ShenZhen Curio Center Shanghai Curio & Artworks Almanac Edition Commission “Art & Collection “(Magazine) www.online.sh.cn |
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The specialists guide to Chinese antiques is Stephen Fry proof thanks to caching by WP Super Cache