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I was reading over at Beijing Notebook about these translucent acrylic Chinese horseshoe chairs she saw at the Green T. House in Beijing. With clean and classic Ming style lines, these round backed chairs are a very updated idea on an extremely old concept. Very neat idea – probably not particularly easy to manufacture.
Absolutely fascinating article from the New York times in 1908, reporting on the sale of The Sarah Pike Conger collection of oriental antiques. Containing priceless artifacts, even by 1908 standards, its in today’s terms that the prices paid are even more eye catching:
Mrs. E. H. Conger (Sarah Pike Conger) was the wife of Edwin H. Conger, who was the “Envoy Extraordinary and Minister Plenipotentiary to China” (in other words the ambassador to China) from 1898 until his resignation in 1905. An author who wrote several books about her time in China, and experienced the turbulent time of the Boxer Rebellion first hand, having been besieged for 55 days in the British legation quarter in 1900. She was also a friend of the Empress Dowager Cixi and some items in her collection were gifts from the empress herself. In fact, the only known image of Cixi touching a foreigner is of the two of them together.
In many circles however, the auction was highly controversial. The Washington Herald’s 1908 announcement of the auction was less then flattering in it’s assessment and notes with irony that as she was the ambassadors wife, the items even entered the country tax free.
The soldiers who stole these things were glad of any market for they could carry little away with them, and in the far east today, stories are still told, with many a chuckle, of ignorant soldiers selling diamond studded watches and priceless bronzes for a handful of Mexican dollars
Meanwhile the fact of the sale must give our Chinese friends food for thought. It is hard to see how the morality of the case can be defended on any grounds. Without mincing words, the property that is to be put up at auction is stolen poperty, and the shame of this looting rests, in a measure, upon us all as American citizens.
You never really know what you will find when you start on restoration of an antique. Experience helps but its nevertheless often times more art then process. Since some customers, particularly those in the know, prefer to select antique pieces in un-restored form, which while exciting and educating, can present some tricky problems for the restorer, especially if what the customer is after is the color of the piece. So where does the problem lay? Well… what you are seeing is not color. That beautiful patina on the un-restored piece is actually dirt and grime built up over the years, as opposed to actual color. Like that rustic “limed finish look” on that un-restored antique table? Then know that its actually just gray dust and after restoration we will need to somehow recreate that effect. For the restorer, the challenge is to remove dirt and build up while retaining the patina. Other times though, this is all part of the fascinating and revealing process with at times, very pleasant surprises.
Take this antique sideboard from the Shanxi – Shandong region in northern China. Though a fairly common sideboard, the eight painted figures were remarkably well preserved and this alone makes this piece worthy of a purchase decision. The image above was taken at the time of purchase.
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Note that this sort of sideboard would open across the top front in three half depth panels which lift up. Many of these antique Chinese sideboards seen on the market today have been in fact been modified for contemporary use and the doors are rarely original. In this case, the customer (wisely) choose to retain its original form and opted out for such modifications, which would have detracted from the value of such a wonderful cabinet. The next step is careful cleaning to remove the years of use in the countryside and in this case the results were better then expected.
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This particular image was taken from Ralphrepo’s photo stream on flicker and it apparently comes from a book called “The Face Of China As Seen By Photographers & Travelers 1860-1912.” He has a much longer and interesting commentary with a snip in which the furniture itself is mentioned. “Socially, the furniture belies a family of some affluence. The wooden foot stools at the time were used not for the height challenged but rather to provide insulation against having to put one’s feet onto a cold and unheated floor.”
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This image of a Sedan Chair, is entitled “Bride On Her Way To Wedding, Fuzhou Fujian China” and was taken from Ralphrepo’s photo stream (if you are wondering about the basket, think “wedding veil”).
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This stereoview image also comes from Flickr, this time from Wolfgang Wiggers photostream. It was taken Guangzhou in the 1860′ies (more commonly known at that time as “canton”). Notice the gate leg or “drop-leaf” table seen in the center background
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Another interesting image from Ralphrepo, in which a side view of a vanity can be seen. This particular image was also taken in Canton in 1868 by John Thomson.
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From a German photographic album with photographs from the Tsingtau (Qingdao) area around 1900. This image also comes from Wolfgang Wiggers flickr page.
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A bit of a gruesome image, this photo was taken in the early 1900′s during the boxer rebellion. Nevertheless it it shows a very common long bench and farm table in a typical environment. This particular one has been modified to suite modern use by shortening the depth. The inset stone panel is not original.
I just came across this fascinating lecture by John Lawson Stoddard who was an American writer and lecturer who traveled the world in the mid to late 1800′s and gained popularity through his travel writings. In series 13 of his lectures upon visiting Canton, he describes the role of a Chinese barber and includes a picture in which can be seen a similar wooden barbers stool.
Occasionally we discovered in these streets an itinerant barber. These Chinese Figaros carry their outfits with them. First in importance comes a bamboo pole, which is the immemorial badge of their profession. To this is usually attached one solitary towel, – free to every customer. From one extremity of this pole hangs a small brass basin, together with a charcoal stove for heating water; the other end is balanced by a wooden cabinet, which serves the patient as a seat during the operation, and contains razors, lancets, tweezers, files, and other surgical instruments.
It matters not where one of these tonsorial artists practises his surgery.
The specialists guide to Chinese antiques is Stephen Fry proof thanks to caching by WP Super Cache