Antique Reproductions | The specialists guide to Chinese antiques

Antiques Shopping on Hollywood Road in Hong Kong

Over the years, having spent a fair amount of time in and out of Hong Kong, it suddenly dawned on me that (up until now), this famous Hong Kong antiques street in Central, has yet to be mentioned here. Adding insult to injury, is that fact that for many years, upon my arrival in Hong Kong, I would make a beeline for this street – usually within the first day or so. For those unfamiliar with Hollywood Road (easily reached via the Central-Mid-levels escalator), this long, narrow winding street initially gained its reputation as an antiques market over a hundred or so years prior, when sailors and traders began to sell antiques and artifacts here which were collected during trips into the mainland China. Today, Hollywood Road (and the streets branching off from it) is littered with small galleries, boutiques and shops selling trinkets, antiques, Chinese reproduction furniture and even contemporary Chinese art. Its even reputed to be a gateway for smuggled antiquities from China. Though these days, I frequent the street less and less, I still find myself drawn to it from time to time, if only just to appreciate the wide variety of items on display here, often in very attractive surroundings.
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Many of the shops here seem focused on porcelain, pottery and terra cotta – with furniture coming in a close second in the remaining boutiques. Finally, a few smaller nooks and crannies deal in the range of tourist trinkets from calligraphy brushes to Maoist memorabilia, to imitation jade figurines. Thick lacquers, glossy finishes and a distinctly southern Chinese red, black and gold themes are everywhere. Table lamps made from deep sea green ceramics are if anything both stylish and contemporary. Shop owners are a mix of feigned politeness to genuinely interesting to locals who seemed to pride themselves on rudeness. Surprisingly often the most interesting and pleasant conversations can be had not with shop owners but basic employees who, free from the pressure of having to “make a sale” chat freely about what little they may or may not know about the item and or its history.

A bit of ancient, a bit of old, and plenty of “just made yesterday.”

As is throughout much of this industry, “old” is a term used freely, and taken with a grain of salt, this may mean anything from “just made yesterday” to hundreds of years old. Some are forthright, though unfortunately, some sellers can be downright unscrupulous. When asked “how to tell if its old or not” one seller of “authentic Tibetan antiques” smiled and gave me the following response:

“If you study these things and understand the product and the industry you will know just by looking at the piece. But if not, then you really need to just trust me on this. See if the piece “speaks to you or not” and go with what your true feelings tell you.

Uh huh…

Now this is starting to sound all too familiar. There were some pieces in the shop that were indeed antique, but having sold the same reproduction Tibetan sideboard many times over right down to the same coloration and motif, this piece was definately talking to me and it was screaming “bullsh*t!” Nevertheless, this line must work for them, as a two 40ish western women were in the process of deciding which cabinet they would purchase for their home (at a mere bargain price of 80,000 Hong Kong dollars!!!). If it were me, I would definitely do a bit of reading first before I plunked down my eighty thousand… And that’s not to say that every shop on the street is this way. But be aware – there will always be some with loose ethics.

This might also explain why some sellers become visibly nervous the moment I start inspecting undersides, opening doors and rubbing my hands over edges and joinery. One shop keeper immediately asked me if I was from “such and such society in London!” From this, I have learned that if I want to pose as a tourist, I better act like one!

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With this Chinese noodle cabinet-scholar cabinet, appearances can be deceiving!

A customer recently sent me these photos of a Chinese Noodle cabinet which they purchased from an estate auction. Their inquiry was pertaining to its age, value and authenticity. In other words, a quick antique appraisal. The question of course was the one I am asked most frequently which was “Is it old and is it valuable”

Is it really old?

If you read “Blurring the line” you know answering this question becomes even more difficult when you consider the awkward journey a piece my take as it travels through the “antique-reproduction” supply chain.

The first question of “is it old” is quite easy to answer: Yes and No. Before going any further, take a moment to read a post from a while back entitled “Blurring the line further… How to tell if its a genuine antique?” which will explain just nicely the points to consider here. Finished yet? Ok, great – back to this item.

In this particular case, the actual cabinet itself is a very common tapered edge Chinese Noodle cabinet or “Mian tiao gui” since the shape of the cabinet itself or the hardware (depending on who you talk to) slightly resembles the shape of a noodle. With carved doors like this, it may be mistaken for a scholar cabinet. In un-restored form, a cabinet like this may be referred to by the workers as as a “la ji gui” which literally means “trash cabinet.”A Chinese country antique cabinet such as the one above, in un-restored form, built from common woods (value is often placed on exotic hardwoods), of a non-descript style and in poor condition will often hold minimal value on its own, with its true worth being essentially as parts and raw materials. From a materials cost perspective, a badly damaged cabinet will be cheaper to restore then to build new from scratch.

A quick look at the overall process...

Here is a quick overview of what typically occurs:

Take a fairly standard poor condition country antique cabinet ranging in age from 30 to 80 years old, which can be used for parts & materials
Restore main structure, replacing damaged panels and other sections with replacement wood.
Add in additional details to spice it up like carved panels.
Add shelves and drawers for additional functionality (easier to sell)
Add a new lacquered finish to cover inexpensive woods, repairs, etc.
Use aging technique so item does not look “too new.”
Add detailed gold “miao jin” painting for an additional touch.
Install new hardware.
Claim to customer it is Qing dynasty scholar cabinet, at least 150 years old and sell at a premium price.
Finished!

trash cabinet for restoration.thumbnail With this Chinese noodle cabinet scholar cabinet, appearances can be deceiving!

A "trash cabinet," like the one pictured above,may often be worth more for its parts then the sum.

Is it worth anything?

The answer is yes! However, maybe not for the reasons you might expect. Its worth something, because of the time and effort that an artisan put in hand-painting the gold trim and other details. Its worth something, every time someone visits your home and remarks what a beautiful cabinet it is. And its worth something, because you probably have a story about where and how you purchased it. So while it may not be worth an extreme amount in dollars, money is not the only value of worth. Its a beautiful piece and would look great in any home, and you never know – in 100 years down the road it just might be someone else’s genuine antique!

Some pretty standard inexpensive Chinese noodle cabinets up for sale on the internet

Fun and funky distressed finishes to brighten up any room

In this recent gloomy economic climate, it would be nice to add a bit of color and I though sharing some of the neat distressed finishes we have been working on, might brighten up the days a bit.

s6002527.thumbnail Fun and funky distressed finishes to brighten up any room

The hand rubber, distressed finish sky blue hutch adds some pleasantness to the room and may even pass as French Provincial, as does the lemon flavored traditional Chinese stool with a worn down finish for that “clean but aged look.”

Lacquer colors like Popsicle, Cherry Candy, Green Apple and Salty Licorice bring more to mind then just plain old furniture.

Fun and funky distressed finishes to brighten up any room

French country – Chinese country – whatever it is, its pretty cool. These pieces were on their way to new homes.

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Trend Guide: Rustic furniture made from reclaimed elm and other salvaged woods

I was in the warehouse the other day looking over some pieces when I was reminded how much reclaimed, recycled and/or renewable materials are definitely a growing trend. A quick Google turns up a range of articles from Reclaimed furniture: Give trees a chance to buzz on various designer blogs. Even Furniture Industry trade publications are recognizing this trend which really started to take off last year. Furniture Today wrote an article entitled “Several sources introduce lines with reclaimed wood.” Another from FurnitureStyle Magazine is called “Las Vegas Furniture Market: Beyond Distressed.”

Reclaimed & salvaged materials are environmentally friendly in that there are no new trees cut down to make the piece. Sources of wood may be old railroad ties, beams from old houses that have been demolished or even old doors. Old elm tends to be a favorite as Elm in fairly common in China. Pine is also an option as well. Other woods are also used like cypress, walnut or beech though these woods are much less common and not available in large quantities.

Since the material has been aged it tends to be more stable then new wood (which must otherwise be kiln dried and chemically treated before it can be made to be stable). In essence, pieces created from salvaged materials are antique in a very unusual way – as the materials themselves have their own story, rather then the finished piece. Finishes are less of an issue to as rather then spend time carefully creating the right distressed finish, the focus is on the already distressed natural appearance of the wood. Construction is typically using the traditional methods of tongue/groove and Chinese joinery.Reclaimed wood furniture tends to fall within either one of following three classifications: Read the rest of this entry »

This antique crackle finish is actually brand new.

I am by far not an expert and to be honest, my main advantage is simply having the opportunity to see, touch & feel different restored, un-restored pieces on regular basis. When the factory is literally right behind you and you can hang out with the workers and see the entire process, one can learn a lot quickly. With that said, if I didn’t have this chance, I would definitely assume this table is a genuine antique.Its a great reproduction and the finish genuinely feels like it has age – from the coloration to the crackle to the rubbed edges and dirtiness of it all. Though hard to see from the photos, it also has a certain dirty feel to it, giving the impression it has been just recently unearthed from the ground. When I get a free moment, I need to talk with the worker to see exactly how they do this particular lacquering technique – though I am guessing it involves a fabric base, some dirt and probably a blow torch.

Another cracked laquer effect

Another type of cracked lacquer does not require the use of sheets of fabric. First a layer of “nizi” – a kind of adhesive, is spread evenly over the surface of the furniture, preferably brushing on a thicker coat of “nizi” rather then a thin one. The adhesive is then left to air dry for a short period of time. Water and fine sandpaper is then used to smooth out and polish the surface and again, allowed to air dry for a short time.A coat of lacquer is then brushed over top the layer of “nizi” – usually at least two times depending on the desired thickness. This is again, then left to air dry for at least one full day. The surface is once again polished using fine sandpaper and water and a 2nd layer of “nizi” is applied which is also left to air dry for a short period of time. A 2nd coat of lacquer is also applied again over top of the “nizi,” again using at least two coat. When this 2nd coat of lacquer has dried the surface is again given a wet polish with water and fine sanpaper and after allowed to air dry for short time. Sometimes the color of the laquer is switched in one of the layers to cause a multicolor effect.After this, during the final steps lacquer is sprayed on (not brushed this time, but sprayed) usually in a least two coats and once again allowed to air dry. The final step is to brush the entire surface with two or more coats of paint thinner and again allow to air dry. These two final steps are what cause the crackly effect. The end effect looks quit nice!