Highlites! | The specialists guide to Chinese antiques

Beautiful colors still remain on this brightly painted fo kan family shrine from Gansu used for ancestor worship

Been quite busy recently spreading time between Beijing, Guangdong and Hong Kong and thus have been a bit slow with blog updates. Which is all the more reason why I enjoyed some free time hunting around of the back alleys of the antiques world with James from UK based Shimu Chinese Furniture (who by the way also a fan of Shanxi painted furniture and has a very nicely developing blog on Chinese antiques here worth a look). Of course the “finds” are different each time and this particular visit turned up this amazing family Shrine from Gansu in western China.

Known as ”fó kān” (佛龛) in Chinese (or sometime fo gui 佛柜), these are shrines of worship – essentially a family temple. In ancient times, Fo Kan were dug from rock much like niches or grottos as can still be seen today in many buddhist heritage sites. Later stone, wood and other materials were used. Eventually Fo Kan evolved and began taking on architectural characteristics, modeling houses, official buildings and even palaces. In many ways they are very particular to each region, more so like architecture then furniture. This particular one is quite impressive and its owner would likely have had some level of material wealth judging by it size and grandeur.

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Hidden beauty: Careful cleaning reveals beautiful color on this Chinese antique sideboard from Shanxi

You never really know what you will find when you start on restoration of an antique. Experience helps but its nevertheless often times more art then process. Since some customers, particularly those in the know, prefer to select antique pieces in un-restored form, which while exciting and educating, can present some tricky problems for the restorer, especially if what the customer is after is the color of the piece. So where does the problem lay? Well… what you are seeing is not color. That beautiful patina on the un-restored piece is actually dirt and grime built up over the years, as opposed to actual color. Like that rustic “limed finish look” on that un-restored antique table? Then know that its actually just gray dust and after restoration we will need to somehow recreate that effect. For the restorer, the challenge is to remove dirt and build up while retaining the patina. Other times though, this is all part of the fascinating and revealing process with at times, very pleasant surprises.

Take this antique sideboard from the Shanxi – Shandong region in northern China. Though a fairly common sideboard, the eight painted figures were remarkably well preserved and this alone makes this piece worthy of a purchase decision. The image above was taken at the time of purchase.

20100812521 exposure 300x225 Hidden beauty: Careful cleaning reveals beautiful color on this Chinese antique sideboard from Shanxi

Note that this sort of sideboard would open across the top front in three half depth panels which lift up. Many of these antique Chinese sideboards seen on the market today have been in fact been modified for contemporary use and the doors are rarely original. In this case, the customer (wisely) choose to retain its original form and opted out for such modifications, which would have detracted from the value of such a wonderful cabinet. The next step is careful cleaning to remove the years of use in the countryside and in this case the results were better then expected.

before restoration and cleaning1 214x300 Hidden beauty: Careful cleaning reveals beautiful color on this Chinese antique sideboard from Shanxi

after cleaning the painting 224x300 Hidden beauty: Careful cleaning reveals beautiful color on this Chinese antique sideboard from Shanxi

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Germany’s fake terracotta warriors – seems even the museums get duped sometimes

Somehow I missed this one (which dates all the way back to 2007). While I have to admit its a bit cynical to say it, I find this absolutely hilarious (on so many levels, I can’t even begin to touch on all of them). From rampant piracy in China, to its historical context concerning fakes to the gullible nature of foreigners doing business in china. Either way, for any of us who have burned a few bucks on a item we thought was “an authentic antique,” its good to know that from time to time even the experts get taken for a ride.


A fake at the Hamburg museum.	On of our own “authentic fakes

German museum admits terracotta warriors are fakes

More than 10,000 visitors to an exhibition of terracotta warriors in Hamburg are to be offered refunds after organizers admitted the figures on display are fake. Germany’s art world was stunned by the scandal, which came to light when officials from Xian, the home of the 2,000-year-old clay army, said they were unaware that they had lent any of their figures to Germany and that those on display at Hamburg’s Museum of Ethnology could not possibly be real as the originals were all elsewhere.

Chinese experts are on their way to the northern port city to examine the objects in the Power of Death exhibition, which consists of eight clay warrior figures, two horses and 60 smaller artefacts including bronze vessels, weapons and tools. German art detectives have launched their own investigation.

A spokesman for the Leipzig exhibition company, Centre of Chinese Arts and Culture (CCAC) which arranged the show, reluctantly admitted on German television that the figures were copies. But he was keen to stress the figures’ similarity to the originals.

“First of all one has to say that the material clay was also used in those days. Then one can say that these figures are the same size as those in Xian, but in any case they are not originals,” Yolna Grimm said. He added that the figures had been obtained from public authorities, institutes and businesses in China.

The company also organised a show of terracotta warriors in Leipzig two years ago, but there visitors were explicitly told that they were viewing copies.

Wulf Köpke, director of the Museum of Ethnology, said he had agreed to the exhibition on the firm understanding that the exhibits were genuine and the company had assured him that was the case.

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Reduced prices – Sale of gorgeous antique walnut alter tables, armoire, benches from Gansu province.

Chinese Gansu Walnut Furniture SDC12013117 150x150 Reduced prices Sale of gorgeous antique walnut alter tables, armoire, benches from Gansu province.

Chinese Gansu Walnut Furniture DSC00446111 150x150 Reduced prices Sale of gorgeous antique walnut alter tables, armoire, benches from Gansu province.

One of ACF’s local “inside suppliers” wishes to liquidate his existing stock of restored antique walnut furniture from Gansu at reduced prices, as he is now dealing only in un-restored antiques. As an “inside supplier” this restorer does not normally sell directly to overseas customers and instead local furniture factories buy from him to then resell in their own warehouse at a premium. As he is one of the few people who specializes primarily in walnut furniture from Gansu province (halfway between Beijing and Tibet), this is an very unusual and rare opportunity to see such a large volume of walnut pieces in one single location. Normally factories will only have a few such pieces (which they likely purchased from him).

Chinese Gansu Walnut Furniture DSC00113110 150x150 Reduced prices Sale of gorgeous antique walnut alter tables, armoire, benches from Gansu province.

While not as costly as rosewood or Huali, walnut furniture is generally more expensive them Elm, Pine or Poplar and are generally sold at a higher premium. Availability has dropped and prices for walnut furniture have risen significantly over the past few years. Walnut is a much harder wood, more durable and longer lasting with a rich deep copper or caramel brown color with a nice grain and wonderful texture. Restorers also tend to use better brass hardware for walnut as the two colors compliment each other. Mostly from Western Gansu, styles are often understated, well balanced and elegant in their own right.

A few other things to know about this lot:

ALL these pieces are antique (there are no vintage or reproduction pieces in this batch).
Quality is quite good and all pieces are restored and ready to ship.
With a very few exceptions 90% of the pieces are walnut and from Gansu.
Not all items are pictured here (there is at least a 40 foot container).
He also has a few rare items that are not seen very often.
Sizes and proportions are very practical and usable.
The flash on the camera tends to give everything more contrast and more yellow (note this).

Larger photos of the complete lot can be seen online at this address:

http://www.antique-chinese-furniture.com/gallery/thumbnails.php?album=254

Or go to http://www.antique-chinese-furniture.com/gallery/

then navigate to

Customer Orders > General Sourcing > walnut 05-04-2010

For price list/additional details email me at roger at antique-chinese-furniture.com

Mystery: Are these Chinese oracle bones inscriptions carved on a tortoise shells?

Interesting recent find… The question is “what is it?” Are these oracle bones ( 甲骨 jiǎgǔ) ? And if so, why is it not cracked? Or was this particular one simply used for practicing carving inscriptions? Or maybe even record keeping? Is this pictographs indeed an example of jiăgŭwén (oracle script) or is it seal script (小篆 Xiaozhuan /大篆Dazhuan)? What about clerical script (Li shu 隸書)?

According to the I-Ching, tortoise divination is one of the best method for making sense of the events. So, the very symbolism of the tortoise shell itself, would lead credence to the idea that this was used for some form of divination. Most popular and known for during the Shang dynasty, documented cases show this practice continued up until the Qing Dynasty though less frequently. Personally I would guess this example is Ming. But as I said, your guess is as good as mine…

If anyone wants to dig-in to what it says, Harmen Mesker’s website has some fascinating Chinese character analysis topics.

A pair of late 18th to early 19th century Qing dynasty Chinese Nanmu compound cabinets

Item: A pair of late 18th to early 19th century Qing period Chinese compound cabinets
Region: Shanxi Province in Northern China
Materials: Nanmu (楠木 – Phoebe) and Chicken Wing wood (鸡翅木) *
Price: 60,000 to 80,000 Chinese RMB (SOLD) **
Condition: Purchased un-restored. Minimal restoration. New hardware. Carvings likely replaced after being defaced during the cultural revolution.

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