Description
SOLD
This is a spectacular example of Ryukyu Lacquer and can grace the displays of any museum.
This box is made of a thin wooden core, perhaps cedar wood which is then covered in a course fabric and coated in a base lacquer consisting of a mixture of tung oil, Komyotan (red lead 光明丹), pig’s blood and kucha (クチャ “kucha” means means “mud” in the Ryukyu dialect and is a fine clay which is rich in calcium and minerals). Another outer layer of vermillion (cinnabar) lacquer is applied overtop before being decorated in gold (Haku e 箔絵).
A very similar box held in the collection of the Tokyo National Museum:

This was also published by Harry M. Garner in the book Ryukyu Lacquer (1972)

The decoration on this box is very similar to a plate in the collection of the Los Angeles County Museum: Footed Tray with Figures in a Landscape and Symbols of Seven Immortals – Ryukyu Islands, about 1700-1800
Period: Ryukyu Kingdom (1429 to 1879)
Condition: General condition is quite good and this piece has been extremely well preserved. Small scratches as expected with age.
Provenance: Japanese private collection.
Dimensions (cm): Length 34 x Width 22 x Height 22 (box is 38 x 27 x 28)
To learn more about the Ryukyu Islands and Ryukuan lacquerware you can read here: RYUKYU LACQUERWARE FROM OKINAWA AND ITS RELATIONSHIP TO THE HISTORY OF THE RYUKYU ISLANDS & CHINA
This video from the Urasoe Art Museum (浦添市美術館) in Okinawa offers a good introduction to the lacquer arts of the Ryukyu kingdom. Discussion of lacquer starts around the 2 minute mark.




















